NCAD AI for Artists Workshop · Week 01

AI Without the Ick

Literacy, Integrity, and Creative Control

4 hours · all tracks · drop-in friendly

Music off, lights up. People arrive skeptical, curious, anxious. Open warm, not salesy.

The deal

The deal in this room

You do not have to like AI.
You do not have to let it make your art.
Skepticism is welcome when it's specific.

Read it slowly. This slide buys trust with the hostile third of the room. "All three positions — excited, hostile, overwhelmed — are welcome and useful here."

Today

Today's promise

Point at the third line: "That document is yours. You'll rewrite it in Week 15 and be surprised."

Deliverable

You will leave with

An AI Boundary Map — what you'll use AI for, what you won't

Your AI Use Manifesto v1 — 8–12 rules, in your words

Show a real example manifesto for 20 seconds (demos/week-01). Don't read it all — just prove it's small and real.

The one rule

AI for friction.
Humans for meaning.

Friction = summaries, options, checklists, file names, transcripts
Meaning = concept, taste, selection, ethics, final craft, your name

"Everything else this term is a footnote to this sentence." It's also on the board all day.

Today's map

Today's map

  1. What these machines actually are — 50 min
  2. The objections, taken seriously — 20 min
  3. Demo: one task, three ways — 30 min
  4. Lab: your map + your manifesto — 70 min
  5. Share, critique, reflect — 40 min

Breaks every ~50 minutes. Protected.

Drop-in reassurance: "If this is your only week, you still leave with the full kit."

Part 1

What these machines actually are

Timer check: should be ~0:10.

LLMs

Inside ChatGPT and Claude

A large language model: trained on enormous amounts of text to do exactly one job —

predict what plausibly comes next.

"No fact database. No looking things up (unless search is on). No understanding the way you understand. Prediction — one token at a time, billions of times."

LLMs

Predict → sample → repeat

It writes one word-chunk (token) at a time.
Each one: "what's likely next?"

The scale is the miracle. The method is the catch.

The miracle: prediction at this scale captures logic, style, code. The catch: it optimizes for plausible, never for true.
Video

Watch

The best 3 minutes on this

Play 0:00–3:30 — the predict/sample/repeat loop. Rest is optional homework (it's excellent).

Say first: "Watch what it's actually doing when it 'writes'." Play only the opening segment; full video is linked on the week page.

The catch

Plausible ≠ true

It optimizes for sounds right.
It has no concept of is right.

And it cannot tell you which one you're getting.

"This isn't a bug they'll patch next version. It's what the machine is."

The trap

How sure does it sound? vs. How right is it?

Sounds

Confident.
Confident.
Confident.

Is

Sometimes right.
Sometimes wrong.
Sometimes invented entirely.

The confidence is constant. The truth isn't.

"The fluency is the trap. The better it reads, the less you check. Train the opposite reflex."
Try this now

90 seconds

Ask your chat tool:

"What do you know about [your name / your townland / your tiny local landmark]?"

Hands up when you catch an invention.

Phones fine. Collect 2–3 examples aloud. Someone always gets confident nonsense about a small place. If everything's right: "Today it was right. You still had to check — that's the habit."

Two limits

Two limits worth knowing

Token — the word-chunk it reads/writes. Everything is counted in these.

Context window — its working memory. Outgrow it and it forgets your brief mid-conversation.

Fix: keep briefs in a doc. Re-paste. Fresh chats.

This explains the #1 confusing experience: "it was great, then it got stupid." It forgot. Not moody — full.

Multimodal

"Multimodal" = it has eyes now

Upload a screenshot of your layout → get critique.
Upload your storyboard → get continuity questions.

The critique loop works on images. This matters more for you than generation does.

Seed for Week 10. For artists who never want to generate: this is the AI skill that still serves them.

Image models

How image generators actually work

Diffusion models learn to turn noise into images, step by step, steered by your words.

Nothing is stored. Nothing is pasted. Everything is synthesized.

The Vox diffusion animation is two slides ahead if the room wants the visual.

Image models

What it doesn't do

It does not keep a folder of stolen images.
It does not cut and paste anyone's work.

There is nothing "in there" to copy out — only learned patterns.

Be precise here; the room will quote you. The mechanical claim is narrow and true.
Ethics

Image models

What it did do

It was trained on millions of artists' images — mostly scraped, mostly without consent.

It reproduces the patterns of what it saw.

Equally true, equally important. Don't rush past this slide.
Ethics

Both at once

Hold both facts

"It doesn't copy" — true, and doesn't settle the question.
"The data was taken without asking" — true, and doesn't make every use theft.

Tool choice becomes an ethical act.

Mention Firefly's licensed-data training vs. scraped-data tools. "Choosing your tool is one of your levers."
Optional video

If the room wants the visual

AI art, explained — Vox

Play 5:30–8:00 — the diffusion animation. Made 2022: tools dated, questions current.

Use if the diffusion idea didn't land visually. Otherwise skip — it's on the week page for homework.

Why output is generic

The average machine

Trained on everything → defaults to the average of everything.

"Make it cyberpunk" returns the mean of every cyberpunk image online.

Specific direction is the only escape from average.

This reframes prompting before Week 2 teaches it: not magic words — escaping the mean.

Part 1, continued

The four failure modes

(memorize these — they're structural)

Timer check: ~0:35. "Every tool, every week, fails these same four ways."

Failure 1 of 4

Hallucination

Invented facts. Fake sources. Artists who don't exist.
Delivered in perfect confidence.

Counter-move: verify every name, date, quote, citation. Every one.

"Not lying — it has no concept of truth, only plausibility. You are the fact-checker now."

Failure 2 of 4

Genericness

Competent. Soulless. Looks like everything else.
The mean of the internet, served warm.

Counter-move: constraints, references, an "avoid" list — your taste.

"Generic isn't a moral failure of the machine. It's the machine working as designed. Direction is your job."

Failure 3 of 4

Bias

Default faces. Default beauty. Default art history.
The data's blind spots become the output's defaults.

Counter-move: notice the defaults. Direct against them deliberately.

Concrete example: ask for "a designer" and look at who it pictures. Worth doing live if time allows.

Failure 4 of 4

Amnesia

Long chat → brief forgotten → quality collapses.
(That's the context window, full.)

Counter-move: restate constraints. Fresh chats. Briefs live in docs, not chats.

The practical habit that saves students the most frustration this term.
Try this now

2 minutes

"Name three real Irish illustrators and their best-known work."

Check one claim. Hands up when you find the invention.

Usually at least one hallucinated or mismatched detail in the room. Tie-off: "Hallucination isn't rare. It's ambient."

The point

Notice what all four counter-moves are

Verify. Direct. Notice. Restate.

All human habits. None automatable.
This is why judgment is the skill — and why this course exists.

End of Part 1. Break next.

Break

Break — 10 minutes

Back at :00

Protect it. Hostile students often approach 1:1 now — that conversation matters more than restarting to the second.

Part 2

The objections, taken seriously

Tone shift: slower, no jokes for 15 minutes. This section is why skeptics stay.
Ethics

Objection 1

Consent

Training data was largely scraped without permission. True. Lawsuits ongoing. Laws moving.

Tools differ: some train on licensed content (Firefly); most don't.
→ Your tool choice is an ethical act.

Don't soften, don't catastrophize. "If this makes you angry, your anger is well-founded. Now make it precise."
Ethics

Objection 2

Copyright

In most jurisdictions: purely AI-generated output can't be copyrighted.
Human authorship is the legal test.

The law agrees with your art teachers: the human decisions are the work.

US Copyright Office is explicit; linked on the week page. This quietly reframes the course: judgment isn't just ethics — it's ownership.
Ethics

Objection 3

Labor

Some creative tasks are getting automated. True.

What's defensible: taste, judgment, accountability, relationships — the things clients actually pay a person for.

Anxious students need this straight: "Some doors narrow. The ones that stay open belong to people whose judgment sits on top of the tools."
Ethics

Objection 4

Slop

Feeds and stock sites are flooding with low-effort AI content.

Consequence: generic is now free.
Distinctive human work just became more valuable, not less.

The market logic skeptics rarely hear: when average is free, only above-average sells.
Ethics

Objection 5

Disclosure

Audiences feel deceived when AI use is hidden.
The EU AI Act is making synthetic-media transparency law.

We practise specific, honest disclosure every single week.

"Not because you're suspects — because it's about to be a professional skill, like accessibility."

So

Where does that leave us?

Not worship. Not refusal-from-fear.

Literacy → then your own rules.

Bridge slide. Energy back up.

The framework

AI for friction. Humans for meaning.

You draw these lines yourself, today, in the lab.

Preview of lab Part A. "Nobody else can draw them — nobody else knows which parts of your practice are load-bearing."

Demo

One task, three ways

Timer check: ~1:20. Switch to the chat tool. Prompts pre-staged in DEMOS_AND_VISUAL_AIDS.md — paste, don't improvise.
Demo

Stage 1

The weak prompt

Make a poster concept for an art school degree show.

Watch how confident it is.

Paste it. Read the output flatly. Then THE question to the room: "What did it get wrong?" Collect three answers before you offer yours.
Demo

Stage 1 debrief

What did it get wrong?

No audience. No constraints. No venue. No voice.
Could be any college, any year, anywhere.

The model didn't fail. The brief did.

This sentence is the bridge to Week 2. Let it sit.
Demo

Stage 2

The creative brief

Same task + audience + tone + constraints (riso, 2-colour, typography-led) + references +

"Don't pick a winner — that's my job."

Paste the full Field Notes brief from the demos file. While output streams, narrate WHY each constraint exists. Point hard at the last line: the human keeps the decision.
Demo

Compare

Same model. Different human.

Weak prompt

Generic poster #4,000,000
Model decided everything
10 seconds

Creative brief

5 usable directions + risks
Human kept every decision
90 seconds

The quality lives in the brief.

"Eighty seconds of thinking bought all of that."
Demo

Stage 3

The critique loop

Direction 3 is the weakest. Critique it against my brief: where is it generic, where does it fight the riso constraint? Then give me two sharper variants that fix those problems.
Let the ROOM pick the weakest direction first — instant engagement. The model critiquing itself, steered by human taste, is the move students remember.
Demo

The planned failure

When it confidently breaks the rules

(One direction usually violates a constraint — full-colour photography in a 2-colour riso brief.)

It was confident about an impossible direction.
This is why you stay the director.

If it happens live, celebrate it. If not, show the saved screenshot from prep. Never pretend failures don't happen — they're the syllabus.
Demo

Division of labor

What the human supplied

Audience. Constraints. References. Taste. The decision.

What the model supplied

Speed. Volume. Options. A tireless first draft.

"That division of labor is the entire course. Everything from here is discipline-specific versions of this slide."
Your turn

5 minutes

Mini-try

  1. Type your weak prompt for a real project of yours
  2. Rewrite it with: audience, 3 constraints, "options + risks, don't pick"
  3. Compare the two outputs
Circulate. You're listening for the "oh" sound. Pull one before/after to the projector if a volunteer offers.

Break

Break — 10 minutes

Lab next: you write your rules.

~1:50. Stage the lab slide before you walk away.

Lab · 70 minutes

Your map. Your rules.

A. Boundary Map — 20 min · B. Same brief, two tools — 30 min · C. Manifesto v1 — 20 min

Instructions stay on screen during each part. Write the three parts + times on the board too.
Lab A · 20 min

Part A

AI Boundary Map

Three columns. Your real tasks, sorted:

GREEN AI freely · YELLOW AI with care · RED human only

Minimum 5 real tasks per column.
"Ideation" is not a task. "Finding type references" is.

Paper first. Circulate: "What did you actually make this week? Which column does each step go in?" Empty red column = romanticizing; empty green = underestimating. Say both aloud.
Lab B · 30 min

Part B

Same brief, two tools

  1. 5-line brief for a real project (recipe in handout)
  2. Run in ChatGPT and Claude — pairs welcome
  3. Compare: differences? shared genericness?
  4. Critique-loop the better one
  5. Write down 3 places the human had to intervene
The three interventions are the deliverable from B — they feed the manifesto. Keep saying it.
Always available

Part B alternative

Zero-generation track

Same lab, no generation:
paste a past project description into both tools → pure critique mode → compare the critiques → same 3 interventions.

Equal credit. Equal lesson.

Offer it neutrally, to everyone. Some of your strongest students take this track on principle. The course means it — so should you.
Lab C · 20 min

Part C

Manifesto v1 — 8–12 bullets

Weak

"I'll use AI responsibly."

Strong

"AI can generate layout options; final composition is always drawn by me, and I keep the rejected options as process evidence."

The weak/strong pair does the teaching. Demand a real task or real rule in every bullet. This document returns in Week 15 as the pre/post instrument.

Share-out · 30 min

Volunteers: one map row + one manifesto bullet

Room responds with:

4–6 volunteers. If anyone wrote a refusal statement, have it read aloud and give it equal weight — the room must see refusal-with-reasons earns full respect.
Every week

Integrity check

The weekly four

  1. What part of this work requires your taste?
  2. What can AI safely accelerate?
  3. What must be verified before you trust it?
  4. What should be disclosed if this goes public?
Same four questions every week, until they're reflexes.

Reflection

Write 4 lines

Two quiet minutes. These notes accumulate into their process portfolio — say so.

Before you leave

Keep your manifesto somewhere findable

Week 15: you'll write v2 next to it.
The distance between them is what this course measures.

Practical: photograph it, notes app, email to self — now, before leaving.

Next Wednesday

Prompting Like an Art Director

Briefs, references, and critique loops — turning today's "the brief is everything" into a repeatable skill.

Drop-ins always welcome. Bring a real project.

End on time. Stay 10 minutes for 1:1 questions — Week 1 corridor conversations decide who comes back.

Tonight, optional

Go deeper

All linked on the week page.

Final slide stays up while people pack.